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Traditions Social Aid & Pleasure Club: Members of New Orleans’ Social Aid & Pleasure Clubs are the organizers, originators and sponsors of the “second line” parades. Social Aid & Pleasure Clubs grew out of organizations of the mid to late 1800s called benevolent societies, which were formed by many different ethnic groups in New Orleans.Serving a purpose that today has largely been supplanted by insurance companies, benevolent societies would help dues-paying members defray health care costs, funeral expenses and financial hardships. They also foster a sense of unity in the community, perform charitable works and host social events.

Mardi Gras Indians: "Masking Indian" is a generations-old New Orleans tradition. Its exact history is difficult to determine, but most agree the ritual song, dance and costuming began as a way for African slaves brought to America to celebrate their heritage. This tradition also represents appreciation and respect for Native American Indians who gave shelter to runaway slaves. Many think the style of dress was inspired by Wild West shows that visited New Orleans in the late 1800s.

Secondline: This is a tradition in brass band parades. The term is also used for associated uninhibited traditional dance style. The band and sponsoring organization, Social Aid & Pleasure Club or the “Family,” in the instance of a Jazz Funeral, are the “Main Line.” The “secondline” refers to people who are attracted to the music and join in the procession.

Baby Dolls: A masking tradition whose roots go back to 1912, these are troupes of adult women who dress as Belle-epoque babies, with satin bonnets, pacifiers and bottles. They parade on Mardi Gras Day.

Skull & Bones Gang: A Mardi Gras tradition that dates back to 1819, Skeletons have long been known for coming out early in the morning on Mardi Gras day, banging drums and yelling to “wake up Carnival.” The Skeletons often pray for a peaceful day before they strike out to scare children and grandmothers alike with large scary papier-mâché heads, bone-rattling rants and animal bone “staffs.”

*If you are fortunate enough to view one of these traditions in practice we hope you enjoy the experience but please be sensitive and respectful of the fact that these are cultural expressions and rituals and not staged performances.


Major Funding for this project provided by the Nathan Cummings Foundation, with additional support from Tourism Cares, the Louisiana Cultural Economy Foundation, New Orleans Jazz and Heritage Festival and Foundation and Project Weed & Seed.